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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Kempyang and ketuk ： ウィキペディア英語版 Kempyang and ketuk The kempyang and ketuk are two instruments in the gamelan, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of the gamelan. Depending on the structure, they play different, repeating patterns every gongan. Not all structures use the kempyang, but the kempyang is never played without the ketuk. They are shaped like bonang, but are generally placed in their own frame (''rancak''). The kempyang is pitched higher (about one octave, although it depends if they are in the pelog or slendro set. Both have a central boss like the bonang, but the kempyang has a rounder top (like the higher bonangs), while the ketuk has a flat top (like the lower bonangs). In the common numerical notation, kempyang strokes are marked by "-" while the ketuk is marked by "+". The ketuk pattern is used to classify longer gendhing types, where it refers to the number of ketuk strokes in a nongan. ==Further reading== * Titon, Jeff Todd, Timothy Cooley, and David Locke. ''Worlds of Music: An Introduction to the Music of the World's Peoples''. Belmont: Clark Baxter, 2009. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kempyang and ketuk」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.